Rachel Beetz and Jennifer Bewerse are Autoduplicity, an exploration of music for bodies and speech, our shared instruments. Their concerts investigate how these ordinary sounds can be transformed into powerful musical ideas reflective of the human experience. They began the Autoduplicity project to explore what would happen when the performer was separated from traditional instruments. From this separation, fundamental relationships between the performer, audience, body, and voice are revealed.

At the Women's International Study Center (WISC) residency this September, New Zealand composer Celeste Oram joins Autoduplicity. Over the course of their residency, they have collaborated on a new musical work for the duo exploring themes of multiplicity, identity of bodies with regard to musical instruments, sounds of centuries past, and alter egos. This new work will serve as the center of a full length concert reflecting on identity alongside pieces by Beetz, Bewerse, Bengt af Klintberg, and Taka Iimura. 

Rachel, Jennifer, and Celeste will present their work at the Acequia Madre House Tuesday September 27, 2016 at 5:30pm. 

Register at the link HERE or via email to info@wisc-amh.org

For more information, visit wisc-amh.org