The Tune In Festival
11/6/21, 2:00 AM
The return of The Tune In Festival will feature more than 30 artists and ensembles over four days, coming together to pay respect to the time-honored tradition of music and poetry as sources of resilience, protest and inspiration. Curated by performance poet J. Ivy and pianist Lisa Kaplan in close collaboration with CAP UCLA Creative Advisor Kristy Edmunds.
For the festival, Jennifer created a music flm for experimental violin duo The Furies. Confronting humanity's impact on the climate and our place in the universe, The Furies's piece for the Tune In Festival is a meditation on the arc of history, from the primal dawn of civilization to an uncertain future.
Day 2: Friday, November 5 at 7PM PT
Eighth Blackbird: Singing in the Dead of Night by Julia Wolfe
The Furies: Did He Promise You Tomorrow
Watch for FREE at https://cap.ucla.edu/calendar/details/tifday2
Time & Location
Apr 14, 2016, 7:00 PM
Conrad Prebys Experimental Theater, 9500 Gilman Dr, San Diego, CA 92161, USA
Autoduplicity presents their second concert exploration in Machaut + Rauschen, juxtaposing Guillaume de Machaut's ballade, “Dame, ne regardez pas” with several of Peter Ablinger's Instrumente und Rauschen and the San Diego premiere of Ablinger's Kreuze for solo cello and electronics. Leaping from the simple purity of a single melody to the “everything always” of white noise, Machaut + Rauschen explores the hidden complexity in simple sounds and hidden sounds within masses of complex noise. Listening at these extremes reveals how deceptive the very ideas of simple or complex can be.
WEISS / WEISSLICH 17d: Flöte und Rauschen
WEISS / WEISSLICH 17k: Violoncello und Rauschen ("Kreuze")
Piccolo und Rauschen
Das Wirkliche als Vorgestelltes (The Real As Imaginary)
Kyrie after Machaut
Guillaume de Machaut
Dame, ne regardez pas (arr. Rachel Beetz and Jennifer Bewerse)
For more information visit, ucsdmusic.blogspot.com or autoduplicity.com