events
Southland Ensemble: ORANGE EVENTS
ENDED
6/2/22, 2:00 AM
On-Demand
About
In mid-2021, as the pandemic continued into its second year, we decided that we wanted to embark on a fluxus-themed journey with everyone in Southland Ensemble & invite some friends from around the world to participate with us. As a group, we have upheld the tradition of exploring some form of fluxus art annually (save for 2020), so this was an obvious and exciting choice for us.
Orange Event Number 20 (1963-66) by Bengt af Klintberg was one of the pieces we previously explored in our inaugural fluxus concert in 2015 at ArtShare LA. Klintberg created a number of Orange Events (which in the fluxus tradition are Event Scores), many of which can be found in the Fluxus Workbook. This time around, we thought it would be interesting and fun to invite artists near and far, as well as some young artists that we have worked with, to interpret the text scores however they like. There were no specific instructions or guidelines given to the participants, except the realization(s) had to be filmed. It is interesting to note that although the full title is From Twenty-Five Orange Events, there are not twenty-five events (as far as our research could tell, including perusing a copy of Klintberg's The Cursive Scandinavian from 1967).
View Orange Events at https://www.southlandensemble.com/orange-events
Time & Location
Jun 01, 2022, 7:00 PM
On-Demand
About
In mid-2021, as the pandemic continued into its second year, we decided that we wanted to embark on a fluxus-themed journey with everyone in Southland Ensemble & invite some friends from around the world to participate with us. As a group, we have upheld the tradition of exploring some form of fluxus art annually (save for 2020), so this was an obvious and exciting choice for us.
Orange Event Number 20 (1963-66) by Bengt af Klintberg was one of the pieces we previously explored in our inaugural fluxus concert in 2015 at ArtShare LA. Klintberg created a number of Orange Events (which in the fluxus tradition are Event Scores), many of which can be found in the Fluxus Workbook. This time around, we thought it would be interesting and fun to invite artists near and far, as well as some young artists that we have worked with, to interpret the text scores however they like. There were no specific instructions or guidelines given to the participants, except the realization(s) had to be filmed. It is interesting to note that although the full title is From Twenty-Five Orange Events, there are not twenty-five events (as far as our research could tell, including perusing a copy of Klintberg's The Cursive Scandinavian from 1967).
View Orange Events at https://www.southlandensemble.com/orange-events